Last June, fans of Comedy Central – the long-running channel behind beloved programmes such as The Daily Show and South Park – received an unwelcome surprise. Paramount Global, Comedy Central’s parent company, unceremoniously purged the vast repository of video content on the channel’s website, which dated back to the late 1990s.
The simple answer to this is to change the tax code to not allow for write offs for completed projects. And to shorten how long copyright lasts (fuck Disney so much for that one)
Also set up a standardized licensing process that breaks the mini-monopolies of exclusive content.
Personally, I’d also limit copyright to specific works and not the characters, setting, etc. Then protect trademarks and use those to establish canon. Like in the MCU and DC universes, Spiderman and Batman don’t exist together, but in the Superhero Fan Universe, they are roommates and play genius billionaire vs superhuman with a sixth sense prank wars on each other.
What does this have to do with write-offs? I don’t think they can write off episodes of South Park and the daily show that have already aired.
It’s more for things like the batgirl movie that is finshed but will make more money in tax write offs to never release it. But if they lose ad revenue from removing a back catalogue, that may also let them post a loss and claim tax breaks.
This is why I still download movies and try to keep them. They make up the bulk of the crap I keep on my hard drives.
And there was a time when the computer science world wanted to avoid this… and it was 1990 (yes, almost 35 years ago) when the term digital dark age was coined. It was in response to several things. Firstly: the first voyager probe was sent and the code used to store the information could not be disciphered by (then) the latest computers, which resulted in a problem. The second thing is that governments all around the world were starting to be heavily computerized and the older computers used in the 1960s were 100% incompatible with newer systems.
In the US and UK in 1960 the first census were done by computers, and by just 1976 there were only two computers in the world that could read that data, and one of them was a museum piece.
The FOSS community has done far more to combat this with emulation over the past 30 years than any corporation has ever done. Whether it is for video games like MAME, MESS, or whatever console emulator you want to mention, or by OSes like MS-DOS and Amiga Lemon and countless others that emulate almost every system ever created.
Now these fucks are just shitting all streaming media and forcing normal people to have to break the law by pirating the stuff just to keep the stuff from vanishing into oblivion.
Used to be considered simply prudent to back up the vhs tapes you bought and people were encouraged to tape their favorite shows off the tv. Now some random CEO of the month has the right to bury decades worth of creative works?
In the long run, shit like this is theft from the Public Domain.
Yeah, there really should be some expectation of stewardship in exchange for absurd post-Disney copyright durations.
What, and take any responsibility for the Commons?
Backup vhs tapes? They put copy protections on those too, which made that difficult. In the 90s I had two VCRs, I ran the output of one to the input of the other to record duplicates. Some of the copy protection schemes would fuck with the signal or the tracking.
They’re editing entertainment history to begin with. Deletion is bad enough, but possibly even more nefarious is the blatant, unapologetically sneaky editing of existing media mentioned in this thread. Jussst a little bit at a time.
Unlike many videogames, TV shows, music, movies, don’t get “version / revision numbers.” Can you trust your archives to be original?
Adjust for today’s-sensibilities here, remove a now-naughty-word there…“oh, we don’t wanna pay for that song that released in 5 years before this 36 year old television program…better it never existed!”
Their goal seems to be relegating the Internet to simply being a flow of “What’s trending and making money NOW” and nothing else. Every
byteelectron has a dollar value.They want generations growing up in a world where the corporate narrative is all that ever was and will be.
Today it’s talk shows and cartoons.
Tomorrow it’s biographies and documentaries. Family histories? Newspapers?
We need to stop this NOW.
Media conglomerates can’t even be relied on to be stewards of their own legacy. They’re coming for ours.
So, who’s up for another reread/watch of Farenheit 451 or Equalibrium?
This is why pirating is justified. If you want your shows to last forever, torrent them, and keep them seeded.
I wish this worked, but it only does for things that are popular.
As it stands I think I’m just going to have to back up my entire media collection for fear of not being able to get a copy during retirement - when I plan to watch a shit tonne of TV.
It’s going to be a fun historical period to look back on when there are just huge gaps where IP/product control became so powerful that no record of certain things were allowed to exist.
Orwell didn’t know he was also writing about the Entertainment-Industrial Complex.
I’ve just realized there’s an animated series on Youtube, that I’ve had a really hard time (read: impossible) finding anywhere else, and if LEGO (yes, I’m talking about Ninjago) decides to delete these videos from their channels, the OG seasons are nowhere to ve found as far as I can tell. Yes, there are some cartoon streaming services but those are few in number and getting fewer, so I wouldn’t bet on them or any new ones that spring up having that content available in 5-10 years. And that’s worrying. Time to download all 15 seasons and store them somewhere! (oh shit, I don’t have enough space, do I)
Edit: found them on a downloads site from the piracy megathread, but only Seasons 1-11. I’ll get them all soon enough.
Edit 2: The first 11 seasons from that website come up to just over 105GB and I don’t have the space. Do I buy a 256GB USB/ Drive to store this at? I’m scared that I’m getting to the point of becoming a data hoarder. Not too long ago, I didn’t know what I’d do with my single 32GB USB, now I have added a 128GB one, and a 64GB Ventoy usb to the mix, and I still don’t have enough. Wtf?
Seasons 1-7 appear on Tubi. Pretty easy to rip with yt-dlp
Get a 2tb or 3tb external USB drive. They are pretty cheap.
What’s a safe place to buy storage online? I’ve seen horror stories of an sd card in a drive enclosure, and modifying the storage to make it appear larger than it is.
Recent events with streaming services has really been the best argument for self hosting your own content
Every day I inch closer and closer to setting up my own plex server (or something else if there’s a better alternative idk)
but the term “raspberry pi” makes me scared and confused
Plex is good but another option is jellyfin
Enshittification continues
Can’t keep archives of Saturday morning cartoons we all grew up with and loved; will sue you for keeping copies of them.
Definitely ok to being three mile island back online for AI though, that’s the ticket to a better humanity!
For real why has everyone with any kind of money gone psycho? Have the bad guys started winning even harder?
Line go up
I’m not against nuclear power, but could they have concocted a worse set of motivations? Restarting Three Mile Island to power Microsoft’s AI ambitions? Shit reads like something a super villan would cook up.
Wait, the three mile island thing wasn’t a joke?
The only way to watch the original Star Wars movies before George completely fucked with them is piracy.
The 4K77, 80 and 83 editions are what you’re after. Enjoy. There are apparently reduced noise versions as well, but I thought it was perfect as is. It’s old. It’s supposed to have noise and grain. The desert scenes in the first one are really noisy and I’m not 100% sure why. Maybe he filmed those on cheaper film stock in smaller cameras, but that’s just a guess.
The director was an amateur, and he didn’t align the grains of sand with the grain of the film.
It’s not his fault that sand is coarse, rough, and irritating, or that it gets everywhere.
The late 90s dvd versions are gold.
There was a storm in the desert where they were filming which destroyed a lot of the equipment and almost doomed the film.
I think I remember reading that they had to use cheaper film stock in those scenes for that reason.
Preservation is an invasive and destructive process. Recreating the experience of watching ‘The Daily Show’ in the 90s or early '00s is already impossible. Language and culture mildew and rot just like leather and wood.
EDIT: People don’t seem to understand what I’m talking about. Even the people who are responding in good faith seem confused. That’s on me. So I thought I’d try to clarify with an example.
Take the Mona Lisa. Perhaps one of the most preserved objects in history. It’s so well preserved that it’s impossible to see. Sure, you can look at it, but you won’t see it. Taking a picture of the painting is encouraged, but you can’t get a look at it in your camera roll either.
If you saw the actual painting hanging on a friend’s wall, your first thought would probably not be “what a masterpiece”, but “why didn’t they remove the default print that came with the frame”? If you go to Paris, you can wait in line to have the “Mona Lisa experience” but the painting you saw wasn’t hanging on the wall, what you’ll see is the Mona Lisa you brought with you.
(yes, I stole this example from ‘were in hell’ youtube channel)
Preservation is an invasive and destructive process. Recreating the experience of watching ‘The Daily Show’ in the 90s or early '00s is already impossible. Language and culture mildew and rot just like leather and wood.
EDIT: People don’t seem to understand what I’m talking about. Even the people who are responding in good faith seem confused. That’s on me. So I thought I’d try to clarify with an example.
Take the Mona Lisa. Perhaps one of the most preserved objects in history. It’s so well preserved that it’s impossible to see. Sure, you can look at it, but you won’t see it. Taking a picture of the painting is encouraged, but you can’t get a look at it in your camera roll either.
If you saw the actual painting hanging on a friend’s wall, your first thought would probably not be “what a masterpiece”, but “why didn’t they remove the default print that came with the frame”? If you go to Paris, you can wait in line to have the “Mona Lisa experience” but the painting you saw wasn’t hanging on the wall, what you’ll see is the Mona Lisa you brought with you.
(yes, I stole this example from ‘were in hell’ youtube channel)
Figured I’d make a copy. Who knows, the OP might change it in the future. Gotta preserve the past and all.
I’m the genealogist of my family. There are things about what life was like when my grandmother was young that now only I know (since she’s passed on). As I research through more and more of my family history, going back further and further, the less and less I know about what life was like when my ancestors were around, especially the minutiae of every day life. But I WANT to know what life was like. It’s fascinating and, more importantly, we don’t always know now what will be important in the future so how can we learn from the mistakes of the past if we don’t even know they existed? My kids will never know directly what living life in the 90s as a teen was like. But I do. I remember. But I won’t be here forever and if they ever want to have even a tiny inkling of what it was like, I need to ensure that the stories, the accounts, the events, the nuance, the opinions… are recorded and passed on, as my grandmother did with me.
The saying, “History is written by the victor” is absolutely true. But if we had the little tiny details from the perspectives of lots of different people, the victor cannot rewrite history for their benefit and in their image. History, no matter how big or small, matters.
If you don’t care. Cool for you bro. Ignore it. But for the rest of us who want to learn, recording and archiving matters. I feel nothing but honour in my obligation to ensure events and history is passed on for future generations.
History is written by those that write stuff down.
Here’s a random paranoid tangent before lunch! I was reading recently about the evolution of theater in England over a hundred years from ~1550-1650. Elizabeth ruled during the first part of that interval, and Shakespeare wrote. His plays included perspectives from wide slices of society and were performed for royalty and commoners alike. Elizabeth died and private theatrical commissions began to outgrow public theater, which according to wikipedia “sustained themselves on the accumulated works of the previous decades”.
Starting in 1642 theaters were closed entirely by act of a Puritanical Parliament. That ban lasted 18 years and once the audience was Quite Thirsty, the English Restoration restored theater abstractly and filled it with bawdy raunch.
Yada yada, Disney then hired a crew of weepy Christian writers in the 20th century to repackage folk tales into Little Mermaid and Iron Man, which seems parallel enough to Shakespeare retelling Ovid. Film flourished, and in the early days of broadcast TV anybody could star in their own very own program. The Writers were on the brink of delivering us Heroes, but they up and left before they could save the cheerleader.
Now this age of regurgitated, computer animated-and-written, crowdsource produced art seems familiar, too. We’re filling the gaps with what we know, and the Appalachians wielding the pen are finding gaps they didn’t know were there. It’s odd being here, but my point is that if we are stuck in a loop then there’s the potential that on the horizon is a period of Hollywood producing a bunch of light hearted Boob Comedies.
Your honor I object that he interrupted me while watching Ow My Balls!
I think I need a rewatch with this new perspective. I saw Enlightenment to Romanticism through a lens of British stuffiness that gave the veneer of “light hearted”, but Ow My Balls makes a little more sense with a layer of mid-Atlantic mud. I already got Boob Comedies from Ren and Stimpy through Family Guy. What I want is hero stories to save Atlas, but the scornful judgment in the movie’s framing is a force of Christian conservatism trapping him between two worlds.
