Indeed, although I’m not sure how much added value it would have, since I think the Crayon overdrive would flatten out the broken up tube sound of the Hot Tubes. Nevertheless, it’s still an awesome pedal

I still prefer Beyond the Valley of the Dolls, but I’m a big Russ Meyer geek.

I didn’t know about this song yet. King Gizzard is cool though. I actually learned about this pedal through the band HotWax, which are named after the pedal. Not as wacky, but also good stuff.

The Hot Tube side is good to give the guitar a boost and a fuller sound, like tubes that are starting to break up. The Crayon is an overdrive with nice textures. It plays really well with my Stoy Fuzzmaster (a big muff style pedal). Combined, it somewhat moves into distortion territory. The bottom row of the knobs makes it really versatile. With the blend knob turned back, it’s a great way to add some hair to your sound without compromising on clarity. I used the settings shown in the picture to add an extra gain stage to the Dark Terror and it sounds divine. I can go from cleanish to high gain with 4 different sounds. I was glad to have a noise gate though. I opened it up, but there’s no micro switch. Sadly, also no Easter egg text, for those interested.

With both, it also matters how you store it. But like I said, (modern) cassettes are not for HiFi. If I really want to immerse myself in a record, I need the vinyl. The whole experience is just so much fun.

I had been playing for 15 years or so before I joined a band. The trick is to not aim too high, make music that is a bit (but not too much) below your skill level. That way you are able to get the hang of songs relatively easy, which boosts your confidence. From there on you can keep growing.

I want tot go one further and say music cassettes. Love their sound and way more compact than vinyl. Sadly, there’s no good new hardware being made at the moment, although I really like my We Are Rewind player, it’s far from HiFi.

Someone wanted to see the new season of The Inside Man early